次元文明 考古計劃 : 超時空神殿

/ 以陶瓷——在古代用以製作儀禮重器，具歷史證物意味的媒介，重新覆述現代工業大量生產的造型。他摹仿古人把願望和幻想轉化成藝術的作法，把千禧一代的願望與幻想化成實物，有如從時代中取下切片一般記錄了集體的精神面貌。他通過虛構文物編造出的假想考古學，以遊戲營造置身未來人的視角回看當代，察見文明的過去、現在、未來的關連。 Utilizing ceramics—a medium historically reserved for ritual vessels and laden with the weight of archaeological testimony—the artist recontextualizes the forms of modern industrial mass production. By emulating the ancient practice of transmuted desires and fantasies into art, he crystallizes the aspirations of the millennial generation into tangible objects, capturing a 'slice of time' that records our collective zeitgeist. Through these fictional artifacts, he constructs a 'speculative archaeology' that invites viewers to look back at the present from a future perspective, revealing the profound threads connecting the past, present, and future of civilization. /